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Paste this attribution on the final work so the authorship is known for instance, in the acknowledgements chapter of a book. I only discovered Loretta last year, but maybe her songs are a little better. Loretta has lived longer, but her first guitar was also a Harmony, like my guitar. Oh the shame. Fill in the blanks. Local legends Laura Imbruglia and Courtney Barnett are taking to The Tote stage with their bands to present a few of their favourite country tracks.

We got them to have a chat with each other in the lead-up. When did you start getting into country music? What was the first country song to blow your mind? About a year-and-a-half ago. If you were stuck on an island with a country artist who you had to reproduce with for the good of all mankind, who would you like that artist to be and why? George Jones. But only if Tammy Wynette was there as well. What song are you most looking forward to singing at the show?

A Girl Named Sue. What happened to country music? I have pondered this a little bit and never come to a resolution. I guess the bigger question is what happened to popular music in general?

Blame technology and bad taste. What are your all-time top five country songs about booze? Two goals I totally achieved. Why is country music called country music? I guess because it came from the country? The Black Arm Band are an ensemble cast of musicians, poets and writers who share a vision of educating and enlightening people about Aboriginal history, culture and language through the use of music. They began in as part of a local project funded by The City Of Melbourne and The Arts Council but have since grown into an international multi-faceted company and have performed their various shows to audiences all around the world.

Their charming and fascinating Art Director, Lou Bennett, is as prolific as she is interesting. Coming from a musical family of Aboriginies, Scots, Irishmen and Mauritians, she began performing as soon as she could walk, and has toured the world over with her previous band Tiddas. Now instead of having 34 people on stage we have The second is Big Law, which is about how important the law of the land is to aboriginal people. Not necessarily the law of man or man-made law but how if you practise the law of the land you will reap the benefits of that country.

The third is about coming up close now and is listening to the country and learning the law of the country, the change of the seasons. The last episode is called Rainstorm and of course rainstorm brings the weather and the cycle of life.

Going hunting, knowing when to go hunting, knowing when to reap the benefits of the country instead of exploiting it I suppose. This fascination and dedication to preserving mother tongues has permeated her work and recently saw her take The Black Arm Band to London where they performed at the cultural Olympiad, where she collaborated with welsh folk outfit 9Bach.

And so it was quite a powerful show to present for the diverse audience of cultural Olympiad. Their shows are as profoundly educational as they are musically entertaining. Melbourne-based duo Fabulous Diamonds possess a strangely assured idiosyncratic dynamic, one that applies to all aspects of their work. Recorded in a relatively short period of time in mid, Commercial Music saw release this August.

So it can vary a little bit like that, but we go in there with fully structured, functioning songs. Plus we liked how our last album sounded. Throughout their career, Fabulous Diamonds have enjoyed more than a few choice support slots from international acts — covering an eclectic spectrum of genres. We started up as a parody but ended up as a revolution. It was really bizarre. They were all waiting at the barriers for Miike Snow, staring at us, glancing at their watches and phones.

But the guys from Miike Snow told us they thoroughly enjoyed it. We still have a lot of fun playing them. I still really like a lot of those tracks and get a lot of enjoyment from playing them live. People are just interested in it. There seems to be this little niche where people want to hear strictly electronic sounds. So we just keep our fingers crossed a little bit. It was a lot of work. We felt good at the end of it when we came off stage — we really felt quite good about the performance, it was a full room, it was crazy.

We got to where we are today without radio help, bar the local stations, which are awesome. It may well cross over into radio, who knows. We go record by record and see how we go. They are really passionate about it. I think the marketing departments and record labels. Milling The Wind is out now via Universal. A true buzz band in every sense of the term, the four-piece was catapulted into the limelight in true British music press fashion, and the lads have been under the pump ever since.

Even in this short space of time, the band has matured considerably as musicians — something Cowan says was instigated by enlisting acclaimed producer Ethan Johns for the new release.

Ethan records everything live without Auto-Tune, click track or anything — he just gets the vibe right, then he gets the sound he wants from the source. Then we just go for it. This was something we really wanted to bring out. We wanted to go from being an indie band to a rock band. We often take each other to pieces for silly things such as little guitar parts or drum fills. That created a bit of pressure in the studio sometimes, but out of it all I think we emerged a much, much better band.

The only pressure that matters has always been from ourselves — I feel pressure every day with everything we do and I kind of thrive on that. Unfortunately, it was for all the wrong reasons.

But not before the four-piece understood the full scope of this immediate exposure. And then, afterwards, things got crazy. All the news and media outlets, however they felt politically, used it in whatever angle they wanted.

It became less about us and more about Mitt using our song. All we wanted was for him not to use our song. Neck Of The Woods, released in May, was the product of a year and a half of relative quiet from the Pickups camp.

The band gigged no more than a handful of times and shifted their focus to maintaining their day-to-day lives. There were still things to do. And we realise that now. In doing so, Neck Of The Woods was given a weighty, introspective edge. So we decided we had to take some time off and actually live our lives. To be honest, we just wrote and recorded this album quicker.

It was nice to have more time to just be human beings, think and feel things without the pressure that we had early on. We played live for so long before we ever went into a studio. Anything that we felt shy about before, we wanted to expose. Thankfully for Aubert and Silversun Pickups, the opportunity for them to dive into the many layers of Neck Of The Woods in a live setting is right around the corner.

And as Aubert believes, it may go over best in Australia for Harvest. And those were by far the maddest shows of our lives in terms of the crowd going apeshit. We were so overwhelmed. Tickets to the Sunday November 11 Harvest are now sold-out. The band are about to embark on a brief, but kilometre clocking national tour which sees them promoting their new album Songs From The Debt Generation. It started with the random meeting of two like-minded individuals, guitarist and vocalist Sean, originally from Liverpool, and bass player Paul Bovenkirk from Perth.

Sean, in his northwest English accent, explains further. A couple of guys, just having a bit of a rant at the world, with instruments. The band is a three-piece, so inevitably the subject of drummers. EP in That release was followed by a tour of the UK, a highlight of which was appearing on the front cover of the NME, Sean says.

They combine piss-take scripts and a DIY ethos, which seems to complement the music. Expect garage thrash, antics. We played a gig at 3am in this underground club and the venue owner ended up on my shoulders singing a Clash cover we were playing.

We did the recording out in the spare room out the back where my twisted aunty was living for a while. It was a really cool setting — we thought it suited the vibe. They were all playing less and actually talking about what they do. That mindset has changed everything for us. We had an absolute blast and then we put out a CD over there. The trio — harmonica player and vocalist Ambrose Smith, guitarist Callum Shortal and drummer Matt Blach had known each other since their school days.

You can hang out there forever and have a great time and have a great life, but we just wanted to get out there and make it a bit harder for ourselves I think. And, hopefully, a lot more exposure. Already having made some impact on the airwaves, the record sees Split Seconds honing their jangly indie pop and in the process creating a concept album of sorts, with Pollard managing to weave a number of stories and characters throughout the songs.

Your character can go on a bit of a journey and it makes a lot more sense, at least to the listener, at least to the narrative of the song. Hurricane to the news they would be returning for the edition of Soundwave. The tour with House Vs. Hurricane was a resounding success, so they have a very good impression of Australia and high expectations of their return. We had some fans there, which was cool, so I think it was an all-round good trip.

He is well aware of the size and scope of the. Soundwave lineup, and he is very excited about it. This can be clearly heard on their brand new album This Is The Six. My parents used to take me to see that as a kid, you know. And they have some rather unusual plans for that as well. The idea is to write a new record, write new stuff with the guys. And then Jaz Coleman, the guy from Killing Joke who produced our first album, wants to make another record with us, but he wants to go to Cairo in Egypt and do it.

That sounds crazy enough to just do it. It is sold-out. How does it happen? I actually thought turning 40 was sweet! The raunchy, de-tuned shuffle is something a little unexpected from them and the different vibe to the song came from the very different approach to recording they employed this time around. We recorded it old school, in that he made us play everything live. We just did take after take after take, just like you did in the old days.

Boom, nail it. They will tour the. I really needed to get laid! The only way to do that is to be super tight, otherwise it sucks. We just played with the Christchurch Symphony Orchestra the other day, and it was mean.

Tickets from thehifi. This relatively new British indie rock band are doing it a little differently though. Lead vocalist and guitarist Ryan Dooley looks forward to the challenges that this might throw at them on their maiden voyage Down Under.

In fact, it happens to be the first time to Australia for all of the band members in any capacity and it begs the question of what expectations the band has of the country in general and more specifically, the crowds they will be playing to.

Always a risky move at a gig. Having a crack at your peers at a live show always opens itself up to an inebriated retaliation that hardly makes your grievances worth airing. Nonetheless the girls behind her quieted and she enjoyed the remainder of the show in peace. That said, I recently attended an acoustic gig where the entire audience sung along like some bearded, drunken version of the Still Call Australia Home ad and it was a bit spectacular.

So when is it okay to sing your guts out? There are only a handful of bands that people regularly talk about never getting the chance to see live, one of them being Refused. On January 9, they announced to the world that they were indeed, in their words, not fucking dead.

Tickets are on sale Friday August 31 at 9am. In news that brings joy to the hearts of symphonic rock and metal lovers across Australia, Finnish cello-metal band Apocalyptica are finally coming to tour our nation for the first time in their almost twenty year existence as a band. Their second album, Inquisition Symphony, also contained Metallica covers played on cellos, but was complemented by tunes from other heavy bands.

Do not miss these guys. The epic headliners seem to have done the trick and now tickets are selling on Ebay for thousands of dollars. Head to their webstore to buy up before August You can catch the newly reformed rockers at The Corner Hotel on December 7 yep, same day as Turbonegro. Tickets are available now. The festival as always will run three stages and have over 50 bands performing. With the new album doing great over there it will be awesome to give our fans another chance to see us live.

Tickets and information for the festival are available at hammerfest. It was independently recorded and mixed by the band, and was mastered by Tim Turan in the UK.

So they found a way for us to do it. We are honestly really excited. We always try to play things from the older albums as well, because we know there. The band has been together for 18 or 19 years constantly doing things. The main thing in this band is. Strictly 7 Guitars recently announced the addition of the Spectral Keith Merrow Signature Guitar to its growing line of seven and eight string guitars. This guitar features the Seymour Duncan SH-8 Invader — a humbucker that has a well-earned reputation as one of the most aggressive passive pickups ever it also has really cool fretboard inlays inspired by Predator.

Everyone in the world will have a chance to enter to win this guitar. Last year they released a song career retrospective double-disc set called The Meanest Hits in New Zealand. The Meanest Hits is out now on Roadrunner. We really need to get some fresh air. Popcorn, booze and VHS. Every Monday from 6pm, free. Check the website for which movies will be shown. Monday nights at The Old Bar. Bayou is a three girl, two boy quintet who make luscious fuzzy sounds and must be heard.

They plan on making full use of their 5am license. Tickets available from oztix. Also playing will be Thee Wylde Oscars who have recently released their new album on vinyl but have also rocked their way through Europe garnering heavy praise from Spain to Germany. They will be joined by The Interceptors, the new power trio who are playing left, right and centre all over the town. Doors at 5pm with bands starting at 9pm.

This time the Crate Digger Record Fair will all be in one room upstairs. As always, entry is free and doors open at midday. The Smart are heading to the Melbourne Hi-Fi complete with 3D glasses, headsets and a key-tar as they support the upcoming single release Hands Of Shelter.

Following the airplay success of City Lights, Electrical and Cold Dark Room, The Smart silent show puts the crowd front and centre, wherever they are, and gives the audience the chance to take control of their own destiny with volume control to create their own personal atmosphere. This visually enticing performance will be an assault on the senses across three dimensions.

Doors from 7. Cash and her band, it turns out, were just as keen to kick on. After more than an hour of heartbreaking, foot-stomping and high energy show-stoppers, the Melbourne sensation that is Cash Savage found herself with a host of new fans and some very high expectations set for her.

In August , Love Migrate were the featured artist on triple j Unearthed on the strength of one song. In December, the band were busy supporting touring acts and preparing themselves for their debut appearance at Boogie Festival in Tallarook.

Melbourne blues-rockers The Groves take the traditional blues form, electrify it, fortify it and pin it against a brick wall. They quickly got Nick Reid on drums and, once Antoni Ricciardi picked up rhythm guitar and harmonica, they had found their sound.

The self-titled release features slow blues jams and relentless walls of sound that almost betray the fact that The Groves are only a four-piece. What results is a collection of juggernaut tracks which show an ability to write mature and powerful songs. Define your genre in five words or less: Not quite psychedelic indie rock. What do you love about making music? What part of making music excites you the most?

Inventing something from nothing. How do you balance making and playing music with your other commitments? Why should everyone come and see your band? How do you stop your pre-gig jitters? If all else fails, I can always count on the rider. The Bendigo Hotel, Friday August Be sure to check them out at one of their Victorian appearances. With a self-released EP and single under their belts, their live show promises to be both energetic and diverse.

You And Your Friends will be in action as well. Thursday August 30, Pony. Doors pm. Featuring members of Tehachapi and Planet Love Sound. Spencer and his motley crew will performing every Thursday night, support acts on at 9pm, entry is free. Doors open 5. Now that the boys are masters of both riding the big waves and crafting their catchy tropical punk rock tunes, they have decided to unleash their new album. This tropical storm is going to be hitting the shores of The Reverence Hotel on Saturday September 1.

Doors 5pm. The B. East, 9pm, free entry this Thursday August OH PEP! This phenomenon was called Oh Pep! To celebrate the release of her debut single Shoestring out now as a free download on Soundcloud , Dune will be playing a very special single launch at The Workers Club on Friday August After an eventful year that included touring the USA and supporting some great bands such as Nasum, Psycroptic, Macabre and Ulcerate, Odiusembowel are sure to put on a killer show.

Hard, heavy and brutal. Doors 9pm. Midnight Caller hail from Tasmania and have recently recorded at head gap studios, with an album coming out later this year. They put the grunge back into rock. Doors 5pm with bands starting at 9pm. Playing with them will be an exciting new group from Brisbane called Blonde On Blonde. These Dylan fans write some catchy indie rock songs that at times sound a little muddy but in the best possible way. Their live show is a mix of gospel harmony and high energy rock and roll.

For fun times, come see The Citradels, Owls of Buru, The Vouchers and Sandcastle — melting psych noise, rock garage and post-punk for your emotional and mental development. The year is certainly shaping up to be huge for Melbourne based indie darling Emmy Bryce. Having completed a string of live shows taking in Tasmania, four capital cities, several regional shows, and a support slot for US star David Choi, Emmy will continue to wow audiences with her unique style and well crafted songs as she heads out on tour.

Each show over the month will feature a variety of other performers eithe-r supporting or collaborating with the band. The third show will feature dancers and percussionists Ousmane Sonko and Seydou Sow working the crowd into frenzy. Weekender is back at the all new Ding Dong Lounge every second Friday night from Weekender has been the go-to club for the best indie music for years now. Now it enters a bright new phase as the best place to go for your late night indie drinking and dancing at the all new Ding Dong every second Friday.

Having showcased thousands of artists over this time, the legendary Tuesday night has been a local industry hot spot for unsigned musicians and industry professionals. Running as a competition Melbourne Fresh gives away thousands of dollars in prizes at each Grand Final with EP recordings, cash prizes, CD Pressings, iTunes releases, management consultation and much more. Everyone should come along!

The more money I can raise means the more work and materials we can buy for the less-fortunate in India. Bring your mate; bring your date, or even your grandma! I love the fact that I am able to thank people in the form of live music for their donations in supporting our schools aid trip to India. Music is often used as a means to raise awareness and funds for the underprivileged. This is where we find ourselves with an ambitious group of year 12 students hailing from De La Salle College.

Using music they are attempting to raise money in order to travel to India and help build houses for the disadvantaged. We quizzed organiser Nathan Phillips.

What do you love about the Melbourne music industry? When contacting bands to play this gig I was surprised at their willingness to help me in any way they could.

Every single band that I contacted helped me out, whether it was by volunteering their time to play or suggest other bands that might be interested and helping me get in contact with them. The generosity of the Melbourne bands was outstanding!

Which band would you most like to have play your gig? My most favourite band is The John Butler Trio, so I would have really liked to have got them on board for this. Get your boots on and bring that broken heart out to The Tote on Saturday September 1 for a darn good night of country.

Gary Mangred provides unsettling ukulele death-root sex-folk gag-blues, while Pronoun launches a sonic wash of head rush white melodissonance. Thursday August 30, Bar Open, free entry from 9pm. The night will begin with Black Cockatoo, a bush ballad duo from a small thicket of Australian bush nestled between the Yarra Valley and Kinglake. All you need to get there is a coin of gold! Gold coin donation on entry. All proceeds go to the Banjo show. Presented by Rude Bookings.

Loon Lake will be launching Thirty Three over an epic three shows in their hometown next week. You may have also seen the brilliant clip for the track on Rage and doing the rounds on the web.

Come and see what all the fuss is about when Loon Lake launch Thirty Three, three times in Melbourne. Cub Scouts and Glass Towers will be supporting. Head on down. Get down from 8. Also on the bill is Tom Nenna and Nelson Walkom playing from 8pm. The six-piece has been responsible for countless sleepless nights and angry neighbours around the underground Melbourne party scene over the years.

From 10pm every Friday night in August at Bar Open, entry is free. They will be opening in support of art punks Sandcastle and psychedelic new wavers Owls Of Buru.

Thursday August RON S. Very special guests for this show are Pearls and Bayou. Future Universe will be available on the night on CD and vinyl. Doors 8.

Where you ask? The Grace Darling of course. It was here in the laneway capital that they met guitarist Aaron Ronaldson and Rain Party was formed. Fronted by the sweet-and-demonised vocals of Neige Koppes, the three blossomed quickly through jams, dragging all manner of sounds from their shared love of sparkling psychedelia and forbidden deeds. Eventually the talented trio stumbled upon Andrew Congues, giving new life to Rain Party from behind the kit. With his water tight rhythms and crashes, an added menacing hook grew out of their trademark sound; which rings in somewhere close to the glorious mess of bands like The Kills, Brian Jonestown Massacre and even the wails of PJ Harvey.

Doors at 7. They will be joined by The Interceptors and entry is free. They are playing a balls-out double set at the Great Britain hotel Sunday September 2 with their returning drummer who was lost somewhere in Mexico last time they played.

They will be showcasing songs from their forthcoming album Spiral Vortex. Joining them on the night will be the dark and wondrous sounds of fellow OSCL labelmates The Process, and the super awesome, super danceable super super-ness of Zanzibar Chanel. These guys have to be seen to be believed. Bring your dancing feet. Or just come down and watch as The Oldie gets transformed to a scene from an Appalachian mountainside.

Cheap jugs all night. Watch as the venue gets transformed from a bunch of drunks acting like children to a bunch of children acting like drunks.

A kid friendly day with no smoking anywhere in the venue, BBQ, Face-painting and a band to entertain the wee ones as you get to relax and have a beer with other grown ups. It all starts at 1pm start with surprise musical acts. Melbourne glitchers and button pressers join at The Gasometer this Thursday August With a stellar debut EP just out, Lower Spectrum headline a night of local, downbeat and experimental electronics.

No drums or guitars but several computers and other devices that add to the possibility of technical meltdown. Get a six pack in you and start your Saturday night early. Thursday August 30 is the night where the always soulful Stax On Soul Revue will be performing live, doors from 5pm, while indie rockers Rain Party will be launching their EP the following night, Friday August Doors 8pm, entry is free.

With a mixture of period style and classic thrash, the four-piece sound can go from classic Sabbath sounding beats to the brutal vibes of Cannibal Corpse. Exploring the musical pastures from all over the countryside, Willow Darlings come together to share their unique and eclectic song writing styles and sounds — a blend of all things folk and blues.

East on Friday August 31 with free entry from 9pm. The show starts at 10pm, with support from Fiendish Fowl. Sarah Mary Chadwick has spent the last ten years performing and recording music that shifts through the bleary, late-night landscape of the post-grunge hangover. Both solo and in former band Batrider, Sarah has gradually, through hundreds of shows, six albums and countless menial jobs, honed a songwriting vocabulary that is now in full bloom. Cue fundraiser. Stepping up to aid these students in their cause are budding local legends Animaux.

They play infectious pop tunes driven by a wall of trumpets and saxophones. Show your support by getting down to The Evelyn on Saturday September 1 at 8. Define your genre in five words or less: Feel-good folk. But the best part is sharing the songs and getting people smiling.

What part of making music discourages you? The part where you lose sight of how you want to live your life in return for working hard to achieve success. Making music should be fun, not time-consuming or stressful. Describe the worst gig you have ever played.

Silly me at A two-and-a-half hour drive in a hire car. And in summer I spend the days in the sunshine. What advice would you give to bands that are new on the Melbourne music scene? Spooky - Candy James Zabiela Remix Wippenberg - Chakalaka Mat Zo - Fumar kbps. Jaytech - Pyramid Marcus Schossow - The Last Pluck Starchaser feat.

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David Ekenbach feat. Cherry - Nairu Club Dub Oceanlab - Breaking Ties Duderstadt Remix Arctique - Kyana Mat Zo Remix Sia - Buttons Filterheadz Remix Evgeny Bardyuzha - Bali Arnej Remix Andy Duguid feat. Julie Thompson - Falling P8 - Komytea - 9 Will Holland feat. Jeremiah - Treeman Reaky Mix Funkagenda - What The Fuck Eric Prydz - Pjanoo Lange feat. Ronski Speed - All The Way Rudy - Open Your Heart Hard Rock Sofa - Immersing Deadmau5 - Slip Rank 1 - L. Sam feat.

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Daniel Ercole feat. Mque - Are You? Club Dub Smart Apes feat. Kate Miles - Smile Michael Angelo vs. Silver J Catania Remix Moonbeam feat.

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Marcie - Magnetized Arnold T Remix GLM feat. Anhken - Interleaved Di - Wherever I'll Be Michael Angelo feat. Fraincais Foley Extended Album Mix Pryda - Waves John O'Callaghan feat. Rex Mundi feat. Susanna - Nothing At All Mike Shiver - On The Surface Dakota - Sin City Sun Decade feat. Emma Hewitt - The Lasting Light Jochen Miller - Brace Yourself Heatbeat feat. Josie - Because Of You Makotrax - Homeward Breakfast Campfire Remix Hannah Sky - Jump Off Damien S.

Refracture vs Yenn - Glows Cirez D - On Off Mike Hawkins - Dark Matter Eddi Sender - Conspiration kbps. Alan Fitzpatrick - Reflections [Track of the Month] Lifeserzh - Balsis Ronski Speed Remix Push - Infinite Adrian Ivan - Together Tiesto feat. Randy Katana - Derb Marco V - Stimulated Freigeist - Genesis Emma Hewitt - Lasting Light Ei8ht - Am I Dreaming Ben Preston feat.

Wippenberg - Pong Winter Kills - Deep Down Arty - Gentle Touch Aruna - Ashley First State Remix FKN feat. Marco V feat. Khashassi - Scenario Sander van Doorn - Ninety Matias Faint - Toxic Alex Lamb - Tension Claude Von Stroke - Vocal Chords Michael Cassette - Kilimanjaro Solarity Remix Alpha9 - Bliss Andrew Bennett - Evolution Radion 6 - The Serengeti Dub Push vs. Mat Zo - Nuclear Fusion kbps. Dash Berlin feat. Cressida - Two O Ten Jester Muzik feat. Umek - Work This Data Ali Wilson - Boombox Santerna feat.

One World - Green Bay Marcie - Choice Dennis Sheperd Dub Zoltan feat. Alex Morph feat. Michael - Wanna Be Yodis Remix Jonathan Martin - Insidious Meighan Nealon - Faces Sebastian Ingrosso - Kidsos Wippenberg Remix Cressida - Two-O-Ten kbps. Nicky Romero - My Friend Mark Pledger feat. Zoo Brazil feat. Yenn - Monzen BT - Suddenly Mr. Sam Remix Ashley Wallbridge - Chimera Phunk Investigation vs. Jamie Matrix - Gold Rush ROMi pres 2Spaces feat.

George Acosta feat. Fisher - True Love Club Mix Jochen Miller vs. Rex Mundi - Techanza Haunted Mix Luigi Lusini - Who We Are Tom Fall - Cubic [Track of the Month] Solee - Ice Tiff Lacey - Openhearted Cosmic Gate - Barra Sander van Doorn - Daisy Radion 6 - Up We Go Marc Sinclair - Pictures Of You Fritz Kalkbrenner - Last Call Pryda - Inspiration Big World feat.

Tritonal - Utopia Arty Remix Bart Claessen - Elf Velvetine - Safe Rank1 Remix Solarstone feat. Mischa Daniels - Mega Junior Sanchez feat. Marcus Schossow pres. Reverse - Absolute Reality Arty Remix Max Graham feat. Beat Service feat. Emma Lock - Hiding To Nothing Rick Snel feat.

Jobse - Remember Gai Barone Remix Thomas Kelle - Pomelo Andain - Beautiful Things Airplay47 Bootleg Jaytech - Ozone Ronski Speed - Denva Club Mix Richard Durand feat. Phynn feat. Setrise - Swanky Tunes - Rave O Phonic Loverush Uk feat. Something Good vs. Mat Zo - The Lost Progresia pres Nifra - Different Ways Steve Brian feat. Britty - Day Star Paul Hind - Midway Jeff Spooner - The Cashback Mat Zo - 24 Hours Rank 1 Remix Dave Schiemann - Elements Deadmau5 - Some Chords Invisible Sounds feat.

First State - My Sanctuary Jorg Zimmer - Summer Calls Aurum Beats - Violet Mushroom Masoud feat. Laurie - Blinded Tucanedo - Layla DJ Eco August Vila - Tiquicia Bartlett Bros vs.

Dirty South feat. Rudy - Phazing Adrian Lux - Teenage Crime David Berkeley - Vueltas Max Freegrant feat. Abramsi - You Said Beltek - Par Sander van Doorn - Reach Out Tvardovsky - Nature Bells Max Gueli - Orange Road Alpha 9 - Come Home Britty - Day Star Yenn Remix Peter Johansson - Echoes Sound Players feat.

Baltica - Coolness Conrad S Remix Hannah Ray - With Me Mason - You Are Not Alone Torin Schmitt feat. Space Motion feat. Khashassi - Scenario Daniel Portman Remix Bream - Blanco Theme Radion 6 - Lightning Stanislav Beta feat. Jules - Will I Ever Strobe - Liebe Orjan Nilsen Remix Mathias Moor - Elysium Sequentia - Don't Surrender Arty Remix Pryda - Niton Gio C - Atlantide Arty - Twilight Tonight Marcus Schossow - Strings Gareth Emery feat.

Lucy Saunders - Sanctuary Markus Schulz feat. Mat Zo - Near The End ReOrder feat. Robbie Rivera feat. Digital Mess - Plastik Car Maor Levi feat. Ashley Tomberlin - Chasing Love Kelis - Acapella David Guetta Extended Vincent Thomas - Music Of Yourself Ronski Speed - B Sign Faarsheed feat. Cressida - Breakfast With Zeus Funkagenda vs. Stunson - Perfect Bliss Store N Forward - Manga Adam Nickey - Voices Klauss Goulart feat.

Matt Johnson - Fallen Tempo Giusto - Matheo Kosheen DJs - Warning Groovenatics vs. Robortom feat. Au Revoir Simone - Paganini Rocks Peter Lesko - Longing Eric Prydz - Niton The Reason Jamie Matrix feat. Arty - The Wonder Jochen Miller - uPad Aerofoil Remix Mark Sherry feat. Sharone - I Will Find You Sequence 11 feat. The Stetz - Full Circle Cedric Gervais feat. Steve Brian - Maspalomas Amurai feat. Rough Duchess - Infinity Evol Waves feat. Eva Kade - where Are you Going Corbossy - Madrid kbps.

Egbert - Open EDX feat. Sunny Lax - P. Nawarro Remix Vinny Troia feat. D-Mad - We Have It Ad Brown vs. Blue Amazon - No Other Love Existone feat. Hayley Parsons - August Aromas Kris Menace feat. Virunga - Revive Me Advanced Mix Orjan Nilsen vs. Smart Apes vs. Anna Lee feat. Kate Miles - Perfect Omnia Remix Spark7 - Lightness Will Dukster feat. Sebrof - Readers Demo Dave Schiemann - Toddler Christian Cambas - Fireball kbps. D-Mad vs.



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